This is the English caption for my reaction to a Japanese Anime I’ve been watching. I kept seeing icons and caps and so forth for Bleach all over the internet, so I thought, eh, I’ve seen anime before. I’ll give it a try.
Well, let’s just say I’ve learnt my lesson.
The top ten reasons Lori won’t be finishing the series Bleach:
10. The conventions of Japanese anime include some seriously annoying shit. Yes, it’s a completely different culture with different conventions in fiction. Yes, they mostly speak in Japanese with English subtitles and frequently there are sweat drops and little angry cross hatches and so forth. That would all be fine if not for certain other things in combination with the little things, such as–
9. Fights must always upstage all fights that have gone before. In Bleach, they use swords that transform into all kinds of things, and each time someone whips out a sword, it has to do eleventy zillion different things that no other sword before it has ever done. It has to flame, or break into a bunch of little pointy things, or into a long sea serpent-y flaming thing, or into a snaky sharp thing that turns out the lights and makes awful noise — everyone’s sword does something different. This is because –
8. They are traveling through the spirit world. They, meaning the handful of teenagers — a bouncy-breasted ditzy girl, a tall hunky quiet kid who can literally punch you through a wall, and the ground, and anything else that might be there, a hotheaded main kid who fights with great power and very little discipline, a cat who sounds male until he transforms into his second shape of a spiky-haired saucy gal, a skinny kid with glasses who’s quiet but smart and can make a wicked energy bolt/arrow out of thin air — defeat everything in their path, somehow leaving enemies alive and winning them over to helping them, and again, every battle must top the last one. And anything can happen because it’s the spirit world, where they went within the first ten or so episodes of the series to save the last main character, a goth samurai girl who gives her powers to the hotheaded kid Ichiguro, and then she’s taken back to the spirit world to pay for granting a mere mortal her powers, which is something you just don’t do. She’s going to be executed. Ichiguro MUST SAVE HER. He doesn’t love her or anything - he just owes her his life. So –
7. He trains, with a variety of folks who just happen to be legendary fighters who have long since fallen out of the limelight of the spirit world they’re from, which is where he’s going to save Rukia, the goth girl. The training is like the fighting - each round must be badder and flashier than the last. And, of course, just like the fighting, the training must have flashbacks….
6. All of the fights must be interspersed with flashbacks. And more flashbacks. The life history of each character must be explored, sometimes between the upswing and downswing of a sword. Flash- AAAAAA- *flashback of character’s entire childhood highlighting each moment leading up to the moment of the battle so that everyone will know just what’s at stake and every iota of motivation this character has for what he/she is doing* -AAAAGH!-*sword comes down, clashes against opponent’s sword* This is tolerable once. It’s happened once an episode for about a season and a half. It’s the heart of every episode, because -
5. There are a hundred characters and counting in this damn show. Seriously. There are thirteen captains, and lieutenants for each of them, and underlings, and servants, and people who are added into the group as they go along, and we have to know where they grew up and how they came to be where they are today, evidently. And then we have to take side trips back to the Real World to see how the siblings of Ichiguro are doing. Everyone who fights gets a biography. Everyone has to be a tragic character.
4. Comic relief. For a while, it was a hyper annoying stuffed animal possessed by the spirit of some experimental fighting dude. Ichiguro’s little sister dresses the thing in pinafores and bows, which it hates and screams about frequently. Seriously.
3. Long frakkin’ speeches. Every single fight, every single participant, back and forth with the speeches, on and on and on, showing off the shininess and metaphysical fun of their weapons, to hyper-dramatic music played by mitten-wearing pianists. Looooooooooooong speeches, man. Long. Like, the driest, boringest math prof you ever met, times ten, and you in the back row just wanting the grade and not daring to shriek SHUTUPSHUTUPSHUTUPAAAAAAH!
2. All I want to know is how they rescue the chick! Third season. No rescue in sight. Oh, they got her away from the death machine of the ages, but everyone’s still kung fu fighting! I don’t even care who wins any more. I just want to see what happens to the goth girl. Everything else is pointless!
1. The songs in the opening credits change every few episodes, progressing from annoying to more annoying to AGH HIT FAST FORWARD! I suspect the trend will continue, as will all the other trends.
Star Trek, how I love you. At least you’re not obviously monotonous.